Scopie (1968)

• 65%
• 1968
• Gérard Kurdjian

As part of the "continuation" of the "cut" made by Sollers-Pollet's "Mediterranean", Scopie therefore stems from a materialist practice of cinema, made here and now (among others within the whole eclectic named "Collectif Jeune Cinéma") more necessary than ever. Disappointing any phantasmal projection, the screen-support of what is woven, but also exceeded by it, its positive trace is proposed as a place where the perpetual, regulated circulation, between sound and image, inexorably disappoints the constitution of a full meaning, in which the subject-spectator could be comforted.