mir mig men (2002)

• 80%
• 2002
• Karø Goldt

Photographs taken by Karo Goldt during an air show were used in the production of mir mig men. These moments, frozen, in time, digitally manipulated and animated, resulting in a «photo film» create a broad film of associations for innumerable scenarios involving war and other catastrophes. It suggests looking through a frosty window at faded relics of destruction which is both frightening and absurd, one's perpective completely unrelated to time. The scene's stifling atmospheric density is the direct result of these experiments on the edge of visibility.