Knud Heglund

Knud Lars Valdemar Heglund (oprindelig sustainability committee - navneændring 1927) var søn af garderobeforvalter Lars Heglund (død 1921) and wife, Johanna Voss (død 1944). He voksede op for et hjem with a mapping to The new Theatre, hvor han debuterede 22. the test, in 1913, in the Alexander the Great. Afterwards, he came to the provinsturne and was silk, a student at The royal. Teater, hvor han debuterede in 1919, as Citizens of "A flaw". In 1925, the forlod he was national and was a couple of years, any later - through many years - one of the most benyttede kunstnere at the Apollo Teatret. Han havde derudover engagementer wood, Nørrebros Teater, Komediehuset and The new Theatre. The størstedelen af 30erne, he was linked to the til, Betty Nansen Teatret, hvor han spillede et a m m e m the number of roles indenfor it's lettere classic repertoire. Han havde great successer in the role of Polonius in Kaj Munks "Hamleth", What in God's grønne enge" and as præsten, in the "Word of god" - all of the Betty Nansen Teatret. In 1944, he arrived til the Folketeatret on the website where he was skuespiller og sceneinstruktør. Knud Heglund, was also linked to the til Skolescenen. Da radioens dramatiske udsendelser startede come Knud Heglund behalf of the rækken of the skuespillere as radioen fandt særlig egnet og, he was one populær radiokunstner, both of which oplæser og medvirkende in the hørespil. Han medvirkede also a række danske spillefilm. In 1956, the coffee shop, he's a biografbevilling til Skovshoved at the Cinema, but this ekstra arbejde took that suit of his kræfter at his sceneprøve at the Folketeatret was ramt af et hjerteanfald og døde. Knud Heglund was a member of the af Teaterrådet the fra in 1948, and the af bestyrelsen for Olaf by the Company Mindefond. Sammen with skuespillerinden Sophie Damaris Andersen, had he sønnen, Jørgen Ole Heglund (19-06-1918). Knud Heglund was, in 1922, the divorced, the fra Gerda Tension and was on the 15th. in may 1926, and married the latter of the Church of balletdanserinden and skuespillerinden Lili Heglund. Blandt hans revynumre can nævnes "the Da fut da-da-fut" from 1927 and "the Now cover hjem, in the worn, og kigge at Pappegøjn" from the Apollo Revyen, in 1928. Both shows sang han sammen with, The "Gissemand" Pedersen points out. The revykomedien "Guderne appear to be" in the 1940's, at the Apollo Teatret lancerede him, "Diogenes the wise men, the" af Poul Henningsen og fra Cirkusrevyen in 1942, right viserne "The'n coming" and "We are very much into the swingpjat," which he sang sammen with Ib Schønberg. Sommerferierne tilbragte he's in a sit-sommerhus "Teaterhytten" in the Kårup flare-ups of wood Fårevejle.