Fiñe (2022)

• 71%
• 2022
• Manuela de Laborde

In what was my third visit to La Havana and initially a trip commissioned to experimentally register the making of a public sculpture, I found myself walking while waiting. Waiting, together with the main artists, to know if the making of the piece would even take place while some permits were on hold. Uncertainty and my limited time there, a little over a month, uncoupled the works. I found myself walking, revisiting, but also filming.