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Eugen Schüfftan

Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process what for Metropolis (1927), directed by Fritz Lang. The technique what is widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.

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Movies Made by Eugen Schüfftan (63)

Chappaqua (1966)

Camera Operator

The Doctor Speaks Out (1966)

Director Of Photography

Three Rooms in Manhattan (1965)

Director Of Photography

The Big Scare (1964)

Director Of Photography

Lilith (1964)

Director Of Photography

The Virgins (1963)

Director Of Photography

Something Wild (1961)

Director Of Photography

The Hustler (1961)

Director Of Photography

Eyes Without a Face (1960)

Director Of Photography

A Couple (1960)

Director Of Photography

The Bloody Brood (1959)

Director Of Photography

Head Against the Wall (1959)

Director Of Photography

The First Night (1958)

Director Of Photography

A Parisian in Rome (1954)

Director Of Photography

Ulysses (1954)

Special Effects

The Venus of Tivoli (1953)

Director Of Photography

Mina de Vanghel (1953)

Director Of Photography

The Crimson Curtain (1953)

Director Of Photography

The Respectful Prostitute (1952)

Director Of Photography

Gunman in the Streets (1950)

Director Of Photography

A Scandal in Paris (1946)

Director Of Photography

Club Havana (1945)

Director Of Photography

Bluebeard (1944)

Director Of Photography

Summer Storm (1944)

Director Of Photography

It Happened Tomorrow (1944)

Technical Supervisor

Voice in the Wind (1944)

Technical Advisor

Hitler's Madman (1943)

Director Of Photography

There's No Tomorrow (1940)

Director Of Photography

The Emigrant (1940)

Director Of Photography

María de la O (1939)

Director Of Photography

The Shanghai Drama (1938)

Director Of Photography

Port of Shadows (1938)

Director Of Photography

Hatred (1938)

Director Of Photography

Forfaiture (1937)

Director Of Photography

Bizarre, Bizarre (1937)

Director Of Photography

Yoshiwara (1937)

Director Of Photography

Street of Shadows (1937)

Director Of Photography

The Trouble with Money (1936)

Director Of Photography

The Tender Enemy (1936)

Director Of Photography

The Invader (1936)

Director Of Photography

The Slump Is Over (1934)

Director Of Photography

Le Scandale (1934)

Director Of Photography

High and Low (1933)

Director Of Photography

Invisible Opponent (1933)

Director Of Photography

The Oil Sharks (1933)

Director Of Photography

Queen of Atlantis (1932)

Director Of Photography

The Mistress of Atlantis (1932)

Director Of Photography

Popular Tune (1931)

Director Of Photography

The Stolen Face (1930)

Director Of Photography

Farewell (1930)

Director Of Photography

People on Sunday (1930)

Director Of Photography

Napoléon (1927)

Special Effects

Metropolis (1927)

Visual Effects

Manon Lescaut (1926)

Additional Photography

Same first name: Eugen