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70-80-90 / Innocent, Insolent, Enticing (2010)

Women in the Turkish cinema… Rarely narrator, mostly subject, generally – in films directed by men – Innocent, Insolent, Enticing, but always two-dimensional: "good" or "bad"? How much real is their goodness or malignity? Why are they never listened to, believed or forgiven but always punished?

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