Terzen (1998)

• 76%
• 1998

“Dans the day after seeing Tierces, there was a établissement sense of the film that developed for me. The rhythms were still present and helped to unify a multitude of impressions. This lead me to reconsidérer the general tone of the film because, as I reached beyond its quick pace and rhythmic lightness and beyond the everyday content, I realized that its Sérénité grows out of a serenity or courage face à la mortalité. This is the surprenant sense of the film, sa musique intérieure. (...) Early in the film I recall a chair héros dans the strong afternoon sunlight. Even though you show it from many angles, it has a puissant stillness. This strikes me as a good example of how you embody active sense of seeing your filming, and you reflect back to us the paradox that it is in movement that we create stillness. The eye, constantly moving yet creating stillness.