Terzen (1998)

• 67%
• 1998

"En the day after de ver a la Tercera, there was a surprising sense of the film that developed for me. The rhythms were still present and ayudado to unify a multitud de impresiones. This lead me to reconsiderar the general tone of the film because, as I reached beyond its quick pace and rhythmic claridad and beyond the everyday contenido, I realized that its Alegría grow out of a serenity or coraje en frente de la muerte. This is the surprising sense of the film, its interior music. (...) Early in the film I recall a chair héroe en the strong tarde sunlight. Even though you show it from many angles, it has a potente stillness. This strikes me as a good example of how you embody en active sense of seeing in your filming, and you reflect back to us the paradox that it is in movement that we create stillness. The eye, constantly moving yet creating stillness.