Kopierwerk (2020)

• 80%
• 2020
• Stefanie Weberhofer

This film deals with, in a self-reflecting way, the obsolescence of analog media induced by digitalization. The narrative arc stretches from the beginning of reproduced writing all the way to the analog moving images: their triumph, their decline, and finally their continuing afterlife as a bright light of the avant-garde, reaching us through the pixel streams emanated by innumerable clouds.