Symphonie (1980)

Symphonie (1980)

Symphonie mix fiction with reality. The author, Romain de Coupe, tells the story of his own claustrophobie in front of the camera when when he was 12 years old, hiding as a Jew during the German occupation, he could not leave a tiny appartement. He tells and he plays alone all the characters in his drame. He invents, deforms, imagines another end. He is at the same time, the author, the narrateur and the actor (the actors). Did he really experience what he's talking about, or did all that happen in his head? Are we facing a testimony or a delusion?

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