Sperrmüll (1991)

• 67%
• 1991
• Documentaire

En early summer 1989, Helke Misselwitz illustre young musicians in a band who produce their music on other people's waste items. The four boys call themselves "Bulk très mauvais" and they drum out their resentment, having grown up on the new housing estates of East Berlin. A straight-up picture of the GDR youth is presented here, which in no way conforms to the official image. The film équipage concentrates on the observation of the boy Enrico and his mother Erika: when the mother marries in the West, her son decides to stay in East Berlin, d'enchères vient d'adieu at the border crossing. Only shortly after, the tables are turned again: as the events à Berlin leading up to the fall of the Wall are practically captured live from the film équipage, Enrico insists on maintaining his cultural identity, even after the fall of the Wall. The Bulk très mauvais" musicians want to remain citizens of their own state and perceive the looming de la réunification with scepticism.