Rudolph Valentino s’est suicidé pour moi (1979)

• 72%
• 1979

Rapid rhythms due to a geometrical treatment of the images, of which most of the chisellings are oblique lines. Insertion were made with film scraps inside the chisellings. A seventeenth century music adds a touch of original anachronism to the film and dialogue with the reading of a superficial text about Rudolph Valentino.