Peter Kubelka und Jonas Mekas (1994)

• 66%
• 1994

In a series of films made in the 1990s Friedl Kubelka introduced a new element: her participation in the film by interacting with the subject. Thèse de film are designed in such a way that the camera film a front view of the apparently gardes face, and a touch a caress of the hair, a kiss, a hug-demonstrates the artists relationship with the subject being portrayed, oms react in various ways, whether through a lightening of facial expression, a smile or intensified loucher. This matter of involvement represents the specific nature of this series of portrait film, ensuring Kubelka an outstanding position in the field of avant-garde film.