Münchener Bilderbogen: Pierette Nr. 1 (1924)

• 67%
• 1924
• Animation

What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision control by Fischinger. It opens with an extremely happy image (a "creative main" which subsequently returns from time to time) — with shading et des mouvements, which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte a somewhat forme triste tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other survivre episodes, better to understand the spirit of the operation conceived by Louis Seel, designer émérite and the inspiration of the project.