Hernals (1967)

• 61%
• 1967

In Hernals documentary and pseudo-documentaire sur les procedures were filmed simultaneously by two cameras from different points de vue. The matériel then divided into phases of movement. Dans the montage each phase de ce que doublé. The techniques used in this process vary. Donc, the sound ce que doublé, again using different techniques. Two les réalités, changez de regard perceived according to the conditions of this film, were édité into one synthetic réalité, where everything is repeated. This doubling up suppressions the postulats: identity of copy and image.