Trixi (1969)

• 62%
• 1969

Trixi is Dwoskin's most convulsive version of his recurrente tema: the confrontation of a solitary girl with the camera. Shot in one continuous 8-hour sesión. Trixi records Beatrice Cordua's de las respuestas a la situación, from inicial timidez, miedo y withdrawal through teasing and posturing to naked surrender and final exhaustion .... The camera is highly móvil; often confronting the girl in extreme close-ups, sometimes picada down from sobrecarga, sometimes searching to "recapture" de ella .... The camera itself is the object of erotic desire, [en] the sense of giving a rendimiento shifting imperceptibly a helpless self-exposure in response to its constant stare. Clearly, the form of the film lo dictated by the response of the performer. Beatrice Cordua proves Dwoskin's más expresivo subject to date, and the film is correspondingly "open" the camera having been willing to choose its tactics as direct las respuestas.