Im Wiener Prater (2013)

• 81%
• 2013

En el Prater de Viena is not about the amusement park that one normalmente associates with this name. The spectacle en the film takes place in a much more sense basic. Right at the start, we see a camera tripod left standing and instead, the filmmaker has set off to track down a woman (artist Martina L.). Carefully, concealed—with a thoroughly veces-coded de gasa she approaches the unsuspecting woman who is taking out a walk. What then we are shown, a close-up of a woman urinating, activates a casi childish delight en investigando taboos: es Evidente here are both a conscious reference to Viennese Actionism and the homóloga to one of Gröllers early película, Boston Steamer (2009) about the process of anal excretion. Yet rather than the close-ups de anatomical detalles and the associated sexualization, what is actually `más inquietante about En el Prater de Viena is the gasa forced upon the viewer: this woman look at us, questioning and self-confidently—now thats pure cinema of attraction.