Hallo Mabuse (2017)

• 68%
• 2017

Hola Mabuse captivates through its, reducción, in which a conspiratorial narrativa takes place, but even more so, the images themselves appear ambiguous, obscure, untrustworthy. A nod of the head, which seems treacherous en su mecánica de la repetición, meets the profile of a bearded man who does not appear to react at all in a suggested counter shot. The slight flickering of the image further intensifies the impression of illicit agreement of witnessing a crooked apretón de manos. The ringing of the unseen telephone and the constant cutí of a clock lend the eventos a limited temporality. Something is running out, y en hacer tan, is also already reaching its end, a ghostly final act, which is anticipated by a explosión and breaks off with the sound of a falling guillotina.