Adaptacja (1981)

• 70%
• 1981

The registered activity, the artist uses a wide range of physical and visual expression to refer to the issues of birth, physicality and sexuality, both in the semantic and icónico. It also refers to "shocking" the language of performance art operating with nudity, violence, or, as here, usar el dead animals. Despite the physical and sexual striking impression share the artist permanece all the time in the garment. At the end of the disguises, but from the eyes of the audience hides her tight cocoon. Constructing a symbolic expression of a structured situation is accompanied by a strong emphasis on the visual dimension of the action. El alma structure semantically-formal Тышкевич present in the films are played in the material world and translated into performance art.