Sempre Semper (2003)

• 66%
• 2003

An ode to the Semper-Depot in Wien, which was built in the late 19th century as a storage space for backdrops used at the court opera and theatre. Timo Novotny attempts to capture and render this imposing building in a single shot by means of reflections and loops. His intent is to create spatial confusion through optical illusion reminiscent of M. C. Escher's games with visual perception.