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Pourvoir (1982)

Patrice Enard's 'Besetzen' is a film mainly comprised of images of women in art, his style is stark and repetitive, shots are angular, which both hide & reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtil flourishes in the staging and editing threaded together by Marxist and Freudian discourses.

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