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Pasolini prossimo nostro (2006)

We are on the set of "Salò, or the 120 days of Sodom". Pasolini lets a small camera-team, led by the journalist Gideon Bachmann follow him engaging around him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that begleitet photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

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