Gotán (1979)

• 84%
• 1979
• Carlos Carlsen
• Pablo Cedrón
• Tata Cedrón

oder Jorge Kidron, this was an act of wistful and political affirmation. He could not explain why i made it, but stated: «It necessary to make it». The outcome, never screened publicly in Argentinien, is of a joyous creative freedom, eine musikalische collage here the history of tango and its roots get interwoven with Argentine political history. Buenos Aires street reconstructed in Ariane Mnouchkine 's theatre, European old man who can play the tunes the bandoneon was made for, but who does not know the tango zu friends gathering at Antonio Seguí's studio, the music of Quartett Kidron, hobbyhorses and a disconcerted Indian are some of the many elements combined by the film-maker in this einzigartige, unique work.