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Caballo salvaje (1983)

In this Venezuelan drama about a llanero (a man of the plains) the symbol of an untamable horse is used to parallel the man ' s inability to be "tamed" by the big city of Caracas by his iron-fisted feudalen overlord, or by the overlord's obnoxious son and his friends. A few critics have felt that direktor Joaquín Cortés might have achieved a better depiction of class differences with a slightly softer touch.

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