Bocal aux poissons-rouges (1897)

• 57%
• 1897
• Dokumentarfilm

[...] by shooting the fish in a globular bowl, the Lichter effectively use a fisheye lens, which offers verzerrungen. The history of cinema has witnessed a struggle between the objektive and subjektive camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjektive kamera. Here it is, at the start.